Milan Art Institute / In-Person Workshop

Composition&Flow

A focused three-day workshop on the one element that quietly decides whether a painting holds together: composition.

Only 15 seats / July 31 to August 2, 2026

DatesJul 31 to Aug 2, 2026
FormatIn Person, 3 Days
Class Size15 Artists
Tuition$1,500
3Days In Studio
15Artists Only
AllLevels Welcome
1:1Individual Guidance
The Missing Piece

Most often, the missing piece isn't skill. It's structure.

As artists grow technically, there's often a point where the work still feels unresolved. Something about it doesn't quite land, and it's hard to name why. More often than not, the answer isn't more skill. It's composition: the underlying structure that holds a painting together, guides the eye, creates movement, and gives the work a sense of presence.

Over three days, Rita Vicari guides you through a range of compositional approaches that bring clarity, intention, and strength to your work. You'll learn to design your paintings from the very first marks, make confident visual decisions, and recognize the patterns that quietly support or weaken a composition.

Through demonstration and hands-on exercises, you'll explore different compositional structures and begin to notice which ones naturally align with the way you see and create. This is the shift from guesswork into a more intentional way of working, where your compositions feel both strong and personal.

What You'll Walk Away With

A framework you'll return to long after the last day.

Design from the start

Build compositions from the ground up using your own ideas and visual language, instead of leaning on fully developed references.

Make confident decisions

Recognize the structures that create movement and balance, and the common patterns that quietly weaken a piece.

Find your natural structure

Discover which compositional approaches align with the way you see, so your work feels both intentional and personal.

A visual composition guide

Take home a reference designed for ongoing use, showing how different structures shape mood, meaning, and voice.

Stronger work in progress

Leave with pieces you've actually moved forward, and the judgment to know when to stop and when to push.

Applies to any subject

We focus on animal subjects as a grounded way in, but the principles carry into any subject or style you paint.

The Work

Rita's paintings, where structure meets intuition.

Expressive animal subjects, framed and composed with deliberate intention. This is the language you'll be learning to design with.

Painting of a tiger among peonies and camellias on a deep crimson ground with a gold frame
Tiger / Composition Study
Painting of a stag with magnolia branches through its antlers and blue jays in flight
Stag / Magnolia
Painting of two cheetahs perched among large tropical leaves in green, coral and ochre
Cheetahs / Tropical Structure
Painting of a blue octopus with a small yellow bird perched in a curled tentacle, surrounded by peonies
Octopus / Flow & Movement
Your Instructor
Rita Vicari RV Headshot to add
Rita Vicari
Contemporary Artist, assisted by Dafni Milan

Rita Vicari is a contemporary artist known for her expressive animal paintings and a thoughtful approach to composition, color, and visual storytelling. Her work explores the relationship between structure and intuition, creating pieces that feel both dynamic and deeply intentional.

She brings a clear, grounded teaching style that makes complex ideas feel accessible and immediately usable, and she's especially passionate about helping artists move beyond guesswork into real clarity and confidence.

✦ Expressive Animal Painter & Composition Mentor
Three Days In Studio

From exploration to a resolved painting.

Each day runs 10am to 4pm, with a midday break. A natural arc from studies, to building the painting, to refinement.

Friday
July 31 / Day One
Composition Foundations & Exploration
10:00 AM
Intention setting, then a deep dive into composition: what makes it strong, how it guides the eye, common mistakes, and different approaches.
12:00 PM
Lunch break
1:00 PM
Create 3 to 5 small studies through collage or quick sketching to explore different structures.
3:00 PM
Group review and discussion, including how composition relates to artistic temperament.
Saturday
August 1 / Day Two
Building the Painting
10:00 AM
Demonstration on beginning a painting while holding strong composition, followed by guided painting time.
12:00 PM
Lunch break
1:00 PM
Continued painting with individual guidance.
Sunday
August 2 / Day Three
Refinement & Resolution
10:00 AM
How to move a painting forward, and when to stop or push further. Continued painting with individual support.
12:00 PM
Lunch break
1:00 PM
Continued painting with individual guidance.
3:00 PM
Final critique and group reflection.
Who This Is For

Artists ready for more clarity and intention.

  • You've built real technical skill, but sense something is still missing in the work, whether cohesion, movement, or impact.
  • Your paintings sometimes feel unresolved, flat, or hard to finish, and you want to understand why.
  • You want to design with confidence and purpose, at any level, beginner through advanced.
What To Bring

Supplies & materials.

  • Collage materials, acrylics, mark-making tools, and oils.
  • One canvas, plus 3 to 5 sheets of taped paper for studies.
  • Come with your own ideas, inspiration, and reference. We build compositions from the ground up.
Transformation Stories

Real artists, real breakthroughs.

From first-time oil painters to seasoned artists refining their voice, these are workshop artists in their own words.

Kimberly Brayman
Kimberly Brayman
Psychologist Turned Artist

“It’s the best art lessons I’ve had in thirty years.”

After 30 years of intermittent painting, Kimberly decided to make art her primary focus, and her skills skyrocketed. Life transitions pushed Kimberly to follow her passion for art full-time. The Mastery Program’s structured approach rapidly improved her skills, and in-person workshops brought major breakthroughs in each session. In Sarasota, she mastered skin tones, figures, and mystical backgrounds, areas she’d struggled with before. Kimberly now sees every painting as a step forward and proof that dedication beats “natural talent” every time.

Kit Kelly Adenact
Kit Kelly Adenact
From Abstract to Realism

“I have a BFA and a master’s degree, but I’ve learned more here than anywhere else.”

After 20 years in abstract, Kit wanted to master realism, and fill the gaps in her formal training. Kit’s journey took her from avoiding portraits to confidently painting them. The Mastery Program gave her the foundational skills to translate anything she sees onto canvas. At the Sarasota workshop, she pushed herself to create glowing, translucent effects she’d never achieved before. She left knowing exactly how to elevate her work, and the confidence to keep pushing.

Emily Brooks
Emily Brooks
First Time Oil Painter

“This is my very first oil painting… and now I know I can do it.”

Emily had been a practicing artist since 2012, but she had never touched oils. The Sarasota intensive became her “sink-or-swim” moment, and she discovered she could swim beautifully. Emily came to the workshop with years of acrylic experience but zero in oils. Apprehension melted into excitement as she learned the layered, step-by-step process of creating light-filled work. Her goldfinch painting, made for her husband, became a personal milestone. With the encouragement and guidance she received, Emily left ready to dive back into the Mastery Program and embrace oils without fear.

Mary Ambrose
Mary Ambrose
Discovering Her Voice

“I thought painting had to be agony… now I’m in a flow where I’ll always have ideas.”

Eight years into painting, Mary still felt something was missing, until she found her flow. A landscape architect by trade, Mary entered the Mastery Program seeking the art school education she never had. Through the process, she not only found her voice but also learned to work with lighter, more intentional strokes, a game-changer for her style. Inspired by her home in Baja, Mexico, her workshop piece captured the glow of jackrabbits and cacti at sunrise. She left with renewed energy and the tools to sustain her professional art career.

Gillian Consort
Gillian Consort
Finding Magic

“Even if you’ve been painting for years, this program is transformative.”

Gillian found freedom and magic in her art by embracing mixed media and her “magician” archetype. A casual online workshop with Elli and Dimitra was Gillian’s gateway to the Mastery Program. Discovering alcohol inks with oil paints lit up her work, literally and figuratively. At the Sarasota in-person workshop, she created a glowing jar with a curious cat, bringing the “painting light” lesson to life. For Gillian, the program’s magic is matched only by the deep support from the Milan Art team.

Carole Mackey Andrulevich
Carole Mackey Andrulevich
Growth at Any Age

“I was hesitant because of my age… but I just plugged in and kept going.”

Carole almost didn’t join because she feared the time commitment. Now she paints 30 hours a week. Carole had painted a little before joining the Mastery Program but wanted to take her skills seriously. A mentor’s accountability kept her consistent, and her love for mixed media flourished. The workshop challenged her to blend her whimsical style with realistic light, and she succeeded, creating a glowing floral piece that marked another milestone in her growth.

Reserve Your Seat

Fifteen easels. One room.

An intimate studio setting with direct, individual guidance across all three days.

Only 15 Seats

Composition & Flow Workshop

July 31 to August 2, 2026 / 10am to 4pm daily / In person at the Milan Art Studio

$1,500
  • Three full days of in-person instruction with Rita Vicari
  • Live demonstrations plus guided, individual painting time
  • A take-home visual composition guide for ongoing use
  • Final critique and group reflection
  • An intimate cohort of just 15 artists
Reserve Your Easel

Add On: Milan Art House Stay

Extend the experience July 30 to August 3 with the Milan Art House add-on. Details and availability shared on request.

Who's in the room

Open to all levels. A supportive space for Mastery Program students and anyone ready to go deeper on composition.

Your Place Is Waiting

This is where your work starts to feel cohesive.

You'll leave with stronger pieces in progress and a clear framework for designing work that holds together, in everything you paint next.

Reserve Your Easel

Only 15 seats / July 31 to August 2, 2026

Good To Know

Questions, answered.

Do I need to be at a certain level?

No. This workshop is open to all levels. It's especially supportive for artists who have developed technical skill but feel their compositions could be stronger, and equally welcoming to those earlier in their journey who want to build good habits from the start.

What subject will we be painting?

We focus primarily on animal subjects as a grounded, recognizable way to explore composition. The principles you'll learn apply to any subject or style you work in.

What should I bring?

Collage materials, acrylics, mark-making tools, and oils, along with one canvas and 3 to 5 sheets of taped paper for studies. Bring your own ideas and inspiration too.

Where does the workshop take place?

In person at the Milan Art Studio. Full location and arrival details are sent to registered artists ahead of the workshop.

What is your refund and cancellation policy?

All sales for in-person events, including workshops, retreats, intensives, and other experiences, are final. We do not offer refunds or credit for cancellations or no-shows. Funds can not be transferred to another event.

By registering for any in-person event, you are agreeing to this policy and helping us maintain a smooth and well-prepared event experience for all.